摄影：朱润资 Photo by Zhu Runzi
It's an already inside outside, the philosophers say it's the soul but it's not the soul: it's the animal or the man itself in its way of existing.
– Fernando Pessoa, The Collected Poems of Alberto Caeiro (1957)
Aerial view, photo by Zhu Runzi
The Qujiang Museum of Fine Arts is located at the beginning section of Xi'an's Datang Everbright City, south of the famed Giant Wild Goose Pagoda. The client asked for a new architectural icon at the East Entry of the museum. In response to the brief, Neri&Hu's proposal takes the idea of a monolithic urban monument as the guiding concept to not only satisfy the museum's newly expanded cultural and commercial functions, but to alsoserve as an anchor and a durable symbol of social history for the surrounding urban fabric.
Exterior, photo by Zhu Runzi
Since the vicinity of the site is occupied by existing galleries, the design intervention minimizes the impact of the new building through careful consideration for the architectural massing and detailing.
The building is composed of four parts: the partially sunken Base, the Sculptural Walk circulation enclosure, the elevated podium Platform, and lastly the Monument. The entire base is finished with cast-in-place concrete. Partially sunken from the level of the existing plaza, the base is conceived as a continuous ground for the public.
1F Entrance, photo by STUDIO FANG
At the entry to the first floor, Neri&Hu has partially retained the original wide steps. The steps descend down to connect to a sunken piazza. The solid concrete base contains the former museum spaces and restaurant which have been retained, along with newly inserted functions such as retail spaces and public restrooms. These inserted functions complement the activities of the adjacent pedestrian street.
From the ground level plaza, a series of escalators lead to the underground museum on the B2 level. The escalators are concealed within a sculptural form, featuring spaces of sectional play between compression and expansion, capped with a triple-story light well at the base of the sunken piazza, providing a sense of drama and intrigue.
The platform and the Monument, photo by Zhu Runzi
Hovering just above the sunken base, is the Platform which is expressed as a post and lintel construction; a grid of stone columns and glass curtain walls supporting a floating roof house retail spaces. This retail level is intentionally expressed as a curtain wall to highlight the separation between the carved language of the base, and the circular sculpted massing of the civic potency above.
Diamond-shaped red travertine masonry units, photo by Zhu Runzi
Capping the new building is the Monument, which housesa lounge on the second floor and an outdoor amphitheater above. The elevationis composed of diamond-shaped red travertine masonry units arranged atintervals to accentuate the transmissivity of light.
The lounge on the second floor, photo by Zhu Runzi
The outdoor amphitheatre, photo by Zhu Runzi
On the northwest end of the existing museum building, a passage leads directly to the second-floor outdoor terrace, conceived as a hollowed-out bowl shaped amphitheater. The terrace acts as a grand extension to the dining and entertainment programs of the lounge. This space acts as a forum which is open to the public as a venue for various activities, while also serving as a platform for private performances and catwalks.
摄影：朱润资 Photo by Zhu Runzi
The Urban Monument
Qujiang Museum of Fine Arts Extension
Location: Xi'an, China
Completion: December, 2021
Client: Yungao Hotels (Group) Xi'an
Project type: Architecture
Program: Museum, retail
Gross area: 1,990sqm
Site area: 1,492sqm
Partners-in-charge: Lyndon Neri, Rossana Hu
Associate-in-charge: Zhao Lei
Design team: Ivy Feng, Wenbo Da, Joy Han, Tian Hua, Bella Wu
Neri&Hu Design and Research Office
LDI: China Northwest Architectural Design and Research Institute Co., Ltd.
Lighting: Linea Light (China) CO., LTD.
General Contractor: Power China Chonqing Engineering Co., Ltd.
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